Tale of Two Summers

Tale of Two Summers

It’s like I was telling my esteemed colleague Ty the other day – teen novels are often sharper than adult novels, because teen novels are pitched to the most unforgiving audience in the known world: teenagers who actually read. They can sense stupid artifice and plot boondoggling a mile away, and they can’t stand, utterly can’t stand, being talked down to.


Writers who respect that can end up writing really, really good books – books that are so lancingly smart and sharp and wry that they bear only an insulting comparison to most contemporary fiction aimed at adults.

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Books! Crocodiles and Kings!

Books! Crocodiles and Kings!

Karleen Koen’s big book Dark Angels turned out to be a quite enjoyable piece of Restoration historical fiction. This was a relief, since the Restoration, worse than any period (except of course the Regency), tends to bring out the Amelia Nettleship in so many writers (for those of you who don’t know the name, it refers to a lady novelist and “bottler of historical bilge-water” in John Mortimer’s immortal story “Rumpole and the Bubble Reputation”). Certainly Koen herself gave me cause to worry, since right there in her Author’s Note she refers to Charles II as “the merry monarch.” That’s usually a sign of trouble.

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